Umbrellas for D
soyouthinkyoucansee:

Le belle en noir
Charles Émile Auguste Durand (ou Durant)
or Carolus-Duran (1837-1917) est un peintre français,
a french painter.


not an umbrella

soyouthinkyoucansee:

Le belle en noir

Charles Émile Auguste Durand (ou Durant)

or Carolus-Duran (1837-1917) est un peintre français,

a french painter.

not an umbrella

deadbirdsclub:

Parasol.
/Apocalypse Mjau

deadbirdsclub:

Parasol.

/Apocalypse Mjau

victorianclassicantique:


 María del Rosario Cayetana Fitz-James Stuart y Silva, 18th Duchess of Alba (first wedding) 


not an umbrella
thepieshops:

3 Inches Above The Knees
June 24, 1964 Policeman measuring length of early 1900s bathing suit to determine if the suit is in accordance with 1933 Redondo Beach, Calif. ordinance

thepieshops:

3 Inches Above The Knees

June 24, 1964
Policeman measuring length of early 1900s bathing suit to determine if the suit is in accordance with 1933 Redondo Beach, Calif. ordinance

victorianclassicantique:


Wedding Ensemble
Date:1901
Culture:Italian
Medium:silk, wool
The appliqués of this wedding dress exemplify the whip-like curves and scrolls characteristic of the Art Nouveau period. Made in Rome for Mrs. Frederick Dand Sherman in 1901, the design of the dress shows the impact of the Art Nouveau movement throughout Europe by that year. 
source: http://www.metmuseum.org 


not an umbrella

victorianclassicantique:

Wedding Ensemble

Date:1901

Culture:Italian

Medium:silk, wool

The appliqués of this wedding dress exemplify the whip-like curves and scrolls characteristic of the Art Nouveau period. Made in Rome for Mrs. Frederick Dand Sherman in 1901, the design of the dress shows the impact of the Art Nouveau movement throughout Europe by that year. 

source: http://www.metmuseum.org 

not an umbrella

victorianclassicantique:


Wedding Dress
Date:early 1880s
Culture:American
Medium:silk
source: http://www.metmuseum.org 


not an umbrella

victorianclassicantique:

Wedding Dress

Date:early 1880s

Culture:American

Medium:silk

source: http://www.metmuseum.org 

not an umbrella

victorianclassicantique:

Dress, Visiting
Date:1845–50
Culture:American
Medium:silkSource: http://www.metmuseum.org The interest of this visiting dress is in the playfulness of the stripes on the bodice which create a mesmerizing effect that is furthermore enhanced by the patterning offered by the self piping. The fit of the bodice, sleeves and bertha give an elongated streamlined effect which was contrary to the large sleeves and higher waist of the decade prior to it. The style emphasizes the inactivity of women who were relegated to various forms of handwork and developing the art of conversation. 


not an umbrella

victorianclassicantique:

Dress, Visiting

Date:1845–50

Culture:American

Medium:silk
Source: http://www.metmuseum.org 






The interest of this visiting dress is in the playfulness of the stripes on the bodice which create a mesmerizing effect that is furthermore enhanced by the patterning offered by the self piping. The fit of the bodice, sleeves and bertha give an elongated streamlined effect which was contrary to the large sleeves and higher waist of the decade prior to it. The style emphasizes the inactivity of women who were relegated to various forms of handwork and developing the art of conversation. 





not an umbrella

victorianclassicantique:


Costume (Fancy Dress)
House of Worth  (French, 1858–1956)
Designer:Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)
Date:ca. 1870
Culture:French
Medium:silk, metal
This Turkish style costume exhibits the European and American fascination with Turkish dress which stems from the 18th century and endured throughout the 19th and early 20th centuries. This trend culminated in 1911 with Paul Poiret’s “harem” pants and Turkish themed fancy dress ball, “1002nd Night.” This style of pants also saw widespread use in the early 19th century for water exercises. 
Source: http://www.metmuseum.org


not an umbrella

victorianclassicantique:

Costume (Fancy Dress)

House of Worth  (French, 1858–1956)

Designer:Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)

Date:ca. 1870

Culture:French

Medium:silk, metal

This Turkish style costume exhibits the European and American fascination with Turkish dress which stems from the 18th century and endured throughout the 19th and early 20th centuries. This trend culminated in 1911 with Paul Poiret’s “harem” pants and Turkish themed fancy dress ball, “1002nd Night.” This style of pants also saw widespread use in the early 19th century for water exercises. 

not an umbrella

drawthisdressposers:


Tea Gown (Charles Fredrick Worth, 1890-1895)
The Royal Ontario Museum
-RJBritton

drawthisdressposers:

Tea Gown (Charles Fredrick Worth, 1890-1895)

The Royal Ontario Museum

-RJBritton